A Hawaiian kupeʻe, or ankle adornment made of dog teeth, has inspired an exhibition on Williams students in the 19th century and the little-known and controversial relationship between the college and the kingdom of Hawaiʻi.
On view for the first time at WCMA, this installation by Anicka Yi (American, b. South Korea, 1971) immerses visitors in a sensorial experience with unconventional and often ephemeral materials.
WCMArecreates Sage’s inaugural 1950 exhibition with the Catherine Viviano Gallery. The exhibition brings together twelve extant paintings, marking their first showing as a group in more than 65 years.
In her first major public art project, Diana Al-Hadid (American, b. Aleppo, Syria 1981) combines aluminum, steel, fiberglass, concrete, polymer modified gypsum, and pigment in four sculptures installed across campus.
Paris transformed into the City of Light through grand-scale architectural renovations, demolitions and new construction set in motion during the Second Empire, 1852 to 1870).
A Los Angeles–based media and installation artist who digitally animates natural and abstract forms brings the Clark’s first video installation, six immersive projections.
Permanent collection of impressionist art, Renoir, Monet, Degas, and 19th-century artists including John Singer Sargent, Winslow Homer, George Innes; paintings, furniture and more across five centuries.
Newly opened Building 6 makes this the one of the largest contemporary art museums in the country. Around the campus: Pitch, Allsion Janae Hamilton’s exploration of North Florida; The Lure of the Dark and more.
Two new installation commissions dive into rituals of applause and the cold water plunge, along wiht the first-ever major museum installation of the artist’s bookwork.
Sally Taylor, daughter of James Taylor and Carly Simon, curates a program asking visual artists, poets, dancers, musicians, perfumers, chefs, and sculptors to use one another’s art as a catalyst to create their own.
Extraordinary exhibition of 105 of LeWitt’s large-scale wall drawings, spanning the artist’s career from ’69 to ’07.
Amselm Kiefer ranks among the best-known and most important of post-WW II German artists living and working today.
On view seasonally (May – November) through 2025
Building 6 fills vast spaces with James Turrell light installation, Gunnar Schonbeck’s colossal instruments, Louise Bourgeois marble sculpture, Laurie Anderson’s studio, audio archive and art space, Dawn DeDeaux and Lonnie Holley’s Thumbs up for the Mothership …
A hundred years ago, soldiers were still falling in the trenches across Belguim and France and hauling cannons across Africa. Williams College looks back at the history of World War I.
Curators Kevin Murphy and Caroline Hamilton explore the contributions of Jacob’s Pillow founder Ted Shawn and visionary modern dancer Ruth St. Denis with more than 350 objects from the Jacob’s Pillow Archives.
Nineteen invited artists from across the country explore their social, political, and environmental relationship to shelter. On view through Sept. 23.
North Adams Fiber Artists will host their first exhibit with the opening on Sept. 7, 5-8 pm.
Opening reception for the group exhibition “Canary Syndrome”, held in conjunction with DownStreet Art. 5 to 7 p.m.
Inspired by the idea that artists, like canaries, are hypersensitive to the forces threatening human existence, nine artists focus on threats to the environment, culture, ethics and civilization.
Three artists create new work inspired by the village and the Shakers who lived here: Abelardo Morrell, Henry Klimowicz’ At Home in the World, and Marko Remec’s Monodic Flow.
The artist Titus Kaphar looks keenly into history – whose stories get told, and which ones get left out. Through cutting, bending, sculpting, and remixing, he alters the narrative, placing forgotten figures in plain line of sight.
The village will open a new permanent site-specific sound art installation in a historic silo, created by Grammy-award winning composer Brad Wells, singer and conductor of the ensemble Roomful of Teeth.
Sally Taylor, daughter of James Taylor and Carly Simon, curates an exhibit asking visual artists, poets, dancers, musicians, perfumers, chefs and sculptors to use each other’s art as a catalyst to create their own.